Shanklin Hall is thrilled to announce the launch of our Creative-in-Residence program, a unique three-month initiative designed to elevate and celebrate Black artistry and creativity. This program offers a dynamic space for creatives to collaborate, create, and meaningfully engage with the Shanklin Hall community.

This is an exciting opportunity to support and showcase the incredible diversity of Black talent.

What’s in store for the Creative-in-Residence?

  • A 3-month-long dedicated wall for the Creative-In-Residence to curate. 

  • Opportunities to engage with our community through events, their exhibition, and bespoke workshops.

  • A platform to share their work and vision with a broader audience.

We are passionate about nurturing the creative voices that shape our culture and look forward to welcoming creatives and curators who expand the mission and energy of Shanklin Hall.

Applications are open now! If you’re a creative interested in this opportunity or know someone who would be, please contact us at imani@shanklinhall.com.

We can’t wait to bring this vision to life with you!

Dee Dwyer is an award-winning Photographer, Cultural Curator, Director, Community Connector and Educator from Southeast, Washington, D.C., whose work is grounded in long-term engagement. Her photographs often shown in black and white are marked by closeness and trust, shaped by relationships built over time rather than fleeting access. Dwyer’s practice resists narrative simplification: instead, it allows space for complexity, interiority and self-definition. Through this approach, her work functions as both record and testimony, situating everyday life within a broader visual history of the city and the nation.

Dwyer’s contributions to visual storytelling have been widely recognized, including Regional Edward R. Murrow Awards for feature reporting in 2022 and 2023, a Society of Professional Journalists Dateline Award, and a 2023 Gracie Award.

Dee’s influence extends beyond the image. She delivered a TEDx talk, Putting Humanity First within the Media Industry, and is a frequent speaker on panels and in public lectures addressing visual ethics, representation, and community-centered storytelling. Her work has been supported and exhibited by major institutions, including The Phillips Collection, The National Building Museum, PhotoSCHWEIZ, Catchlight, Reginald F. Lewis Museum, The MLK Library, Photoville and more.  In 2024 Dwyer was the subject of a documentary released by the National Gallery of Art, which positioned her practice in dialogue with the social documentary legacy of Dorothea Lange. This comparison is not aesthetic alone, but ethical rooted in a shared commitment to witnessing lives often marginalized within dominant historical narratives.

Dwyer’s work has been widely published, including features in ESSENCE, EBONY Magazine, EE72, Vogue, Harper’s Bazaar, and W Magazine, with her visuals appearing in esteemed outlets such as Rolling Stone, National Geographic, The New York Times, The Washington Post, BET, The Guardian, Bloomberg Businessweek and NPR, among others. She also pioneered Voices of Wards 7 and 8, a monthly audio and visual series produced in collaboration with WAMU, an NPR member station, airing on 88.5 FM, centering first-person narratives across Southeast, D.C. In parallel with her photographic work, Dwyer has maintained a sustained commitment to education. She has taught photojournalism at Howard University and currently teaches at Duke Ellington School of the Arts, where she mentors emerging visual storytellers with an emphasis on responsibility, authorship, and care. Taken together, Dwyer’s practice reflects a rare alignment of artistic rigor, social purpose, and archival significance positioning her work as both timely and enduring for collectors, institutions, and collaborators invested in the future of documentary photography.

My People is visual salute to the culture and community of Washington, D.C.

Inspired by Langston Hughes’s poem “My People”, this exhibition honors the beauty,

bouncebackability and pulse of the city. These are not just photographs; they’re memories,

handshakes, front-porch conversations, laughter vibrating down block-long summers, and

the spiritual nod of being seen and known.

For art inquiries please contact Imani at Imani@shanklinhall.com