
Now With 30% Less Chocolate, Nayion Perkins 18x24 in graphic artwork $500

“The peacemaker, no. 1” Jess Owens-Young painted paper collage on cotton watercolor paper 18x24” $1,000

In the Purple Meadow Milora Lipscomb 22x28 oil paint $900

rituals of knowingness and ancestral wisdom / Kehinde VILLAGER (Abdulrasheed Adekunle Adaranijo) acrylic on canvas 24"x 24" $3000
“ATTITUDE” DYYMOND Whipper Young

High Powered Woman of The World, Imani Shanklin Roberts, Oil & Impasto on Canvas, $7000
For art inquiries please contact Imani at Imani@shanklinhall.com
Shanklin Hall is thrilled to announce the launch of our Creative-in-Residence program, a unique three-month initiative designed to elevate and celebrate Black artistry and creativity. This program offers a dynamic space for creatives to collaborate, create, and meaningfully engage with the Shanklin Hall community.
This is an exciting opportunity to support and showcase the incredible diversity of Black talent.
What’s in store for the Creative-in-Residence?
A 3-month-long dedicated wall for the Creative-In-Residence to curate.
Opportunities to engage with our community through events, their exhibition, and bespoke workshops.
A platform to share their work and vision with a broader audience.
We are passionate about nurturing the creative voices that shape our culture and look forward to welcoming creatives and curators who expand the mission and energy of Shanklin Hall.
Applications are open now! If you’re a creative interested in this opportunity or know someone who would be, please contact us at imani@shanklinhall.com.
We can’t wait to bring this vision to life with you!
Siona Peterous
Siona Peterous is a multidisciplinary artist and writer working across audio, photography, and live activations. Her practice blends storytelling, cultural memory, and community connection. Her work is deeply informed by her decade-long career in journalism, where she’s spent years interviewing, documenting and deep-diving into why and how people do the things they do.
Show Statement
GEZANA, the Tigrinya word for “our home,” emerges from Siona’s ongoing curiosity about how people define home beyond the physical. After working on several projects exploring different themes of home, including curating an exhibit at Creative Grounds D.C., she is now turning the lens inward.
Gezana highlights how taste is the link to our pasts, the anchor for our present, and flexible enough to help shape our collective futures.
For Siona, home has never been a physical space. It exists in music, in scent, in people, and most consistently, in taste and the ritual of food. At the center of this is coffee, boon in Tigrinya. One of her earliest memories is of her mother roasting coffee beans for neighbors, her grandmother, and her aunt, while the women gathered to laugh, talk shit, give advice and share stories for hours.
Boon as a site of communion, gossip, and joy has shaped Siona’s perception of food as a vehicle for connection: one that transcends borders, language and immigration status. Above all - Gezana is testament of how our homes are made up of moments, traditions and practices and nothing is more relatable or tangible than the way that food, and our ceremonies around what we eat and drink, shapes our relationship with memories of home.